Wednesday, 27 February 2013

Getting Up Close and Personal with Sake!

24 Feb 2013: Enjoying my coffee and warm croissant with strawberry jam at Haneda Airport, with almost 2 hours to spare before the flight back to Hong Kong, I can now reflect on the Advanced Sake Sommelier Course organised by the Sake Sommelier Association (www.sakesommelierassociation.com) that I just completed. Our group of 6 students led by founders Xavier Chapelou and Kumiko Ohta (husband and wife team) traipsed around sake breweries across the prefectures of Chiba, Kyoto and Hyogo during an intensive 4-day course. On this course, I learnt a huge amount, most of it was firsthand, directly from toji masters and kurabito (through translations). Despite the newly gained knowledge, it is still rather difficult to pin down a typical style of sake from a brewery or a prefecture. Changes involving a number of parameters such as choice of rice, polishing rate (seimaibuai), quality/type of water, rice washing and soaking time, fermentation temperature and duration, type of shubo (Kimoto, Yamahai or Sokuju), addition of spirit alcohol, use of pasteurization or not, ageing period, etc..etc.....all would have a fundamental influence on the final style of sake. The diversity of sake styles naturally means that there is no one sake style for each style/cooking method of Japanese food: sashimi, tempura, grilling and broiling, amongst other methods, with the numerous possibilities of sauces. We also learnt that sake does not need to be paired with Japanese cuisine. The pairing possibilities are numerous as there are so many different styles of sake, from the basic groups of Junmai, Ginjo, Nama, Honjozo and aged sakes. Honda-san made a very good comment: best sake should be like water: pure, light, elegant and clear, and above all, understated……


A sugidama hanging at entrance of sakagura
Day 1: Our trip began at the JR Travel Office in Tokyo Station where we each got the wonderful 7-day Japan Rail Pass and introduced ourselves to each other. An hour later, after changing trains at Sakura, we arrived at Minamishisui station in the Chiba Prefecture where we were greeted by a friendly old gentleman who took our suitcases in the back of his pick-up truck while we walked for about 15 minutes, up a gentle hill, to the Iinuma Honke brewery. The pure and clean rural air refreshed the mind and removed any remnants of sleepiness. Minamishisui is a small village in the Chiba prefecture, which has the advantage of being close to Tokyo and surrounded by water and forests, is blessed with abundant good quality sea and land produce, and more importantly a good supply of spring water. The sight of the ‘sugidama’ (sugi - Japanese for cedar) at the entrance of the brewery confirmed that we had arrived at a 'kura' - Japanese for sake brewery. Once rid of our outdoor shoes, clad in lab coats, with hair covered, we were greeted by the President, a member of the Iinuma family, who reminded us that the number of breweries in Japan had declined from the height of 20,000 breweries in the Meiji Period to around 1,500 today and his 300-year-old family brewery is amongst those upholding traditional practices as much as possible, while enhancing quality and productivity with technological improvements where necessary. President Iinuma-san believes that sake is made to be enjoyed with food, and this is reflected in the styles of their sakes. Although the brewery is called Iinuma Honke, the brand name (‘meigara’) for their sake is Kino-ene. After the introduction, we were shown around the brewery by Kawaguchi-san, a young-looking toji master (our group had developed this theory for the secret of staying youthful - it's something to do with the rice!). Kawaguchi-san is the first full-time toji master at Iinuma Honke – he started work at the brewery in 1996 and before his arrival, the brewery only retained toji masters from other prefectures during the sake making season. The brewery now employs 5 full-time staff…with more staff in the bottling/labeling and other areas. Given that it's our first visit, we were totally uninhibited with the velocity and abundance of our questions. Kawaguchi-san answered each one of them skilfully and demonstrated his deep knowledge. He was the first to indicate that the most important step of the process relevant to the quality of sake was rice washing and soaking, something which was affirmed by the other toji masters whom we met subsequent to this visit. Of course the quality of the rice and the water also played their important roles.

The very yummy salmon at top left corner of the bento box!
 
Excellent Nama-shu!
The delicious bento lunch served in a traditional tatami setting at the brewery's private dining area was a real treat (more for the stomach than for the legs) - particularly delicious was the sake-kasu marinated salmon - 'oishi'! It went very well with the Junmai Ginjo. The sake making season started in November, after the harvest in October and it would go on till March. So our visit was very well-timed to allow us to taste the freshly made nama-sake which tasted so much fresher at the brewery, just days/weeks after it was made! Lunch was followed by a visit to the shop which sold not just sake, but also food products made by the Kino-ene Farm, such as by-products of sake, including sake kasu (which apart from its great culinary application, is also a wonderful cosmetic product - it can be applied when mixed with water as a facial mask!), Japanese rice crackers (made from the nuka - dust from polishing rice) and pickled vegetables (also using nuka), as well as local cakes made with shoju or sake. Had we lingered longer in the shop, we would have missed our train connection back to Tokyo to catch the Shinkansen to our next stop - historic Kyoto!
In Kyoto, we stayed at the Dormy Inn Premium Kyoto Ekimae Hotel which I highly recommend if you are planning your trip on a modest budget. Each room was compactly designed and equipped, complete with free wifi, coffee (proper filter coffee) and tea making facility, powerful shower, and a bed with an ergonomic pillow. There was even an ‘onsen’ (hot spring) which almost every member of our group benefitted from to get a very good night's sleep. Breakfast was the best part and if you don't have time to grab breakfast, free coffee is served in the lobby!
Noda-san of the International Department of Gekkeikan brewery (a much larger scale brewery than Iinuma Honke) came to the hotel to meet us at the hotel and took us on a walk through a geisha district in historic Kyoto. Unfortunately it was a rather cold night and we did not see any geishas during our walk. Our restaurant is called Kappo Bardoi (http://www.kappobardoi.com/) The restaurant served kaiseki menus and on special evenings, there would be a geisha performance to be enjoyed during the meal.

Great find in Kyoto!
We started with a fantastic tofu dish (Kyoto tofu is really creamy and smooth)! It was creamy and was served with a sesame sauce – so delicious, almost could be described as a rich tofu mousse! This was followed by a number of small dishes, including some really delicious baby squid, extremely fresh sashimi which only just arrived at the restaurant and most delicate tempura. Over dinner, we tried the Junmai Daiginjo of Gekkeikan. Very elegant, fresh and nicely fruity, with banana and citrus overtones on top of the herbal and grainy notes underneath.


Day 2: The next morning, we met with Noda-san at 8:15 in the morning. He took us to a high point at the railway station and showed us how Kyoto was surrounded by mountains, hence the supply of very good spring water. We then took a train to visit a temple near the Gekkeikan brewery and tasted the famous soft water from Fushimi-ku. Gekkeikan (www.gekkeikan.co.jp) started in 1637 by the Okura family during the era of the 3rd Shogun Tokogawa of the Edo Period. The Gekkeikan brand name was registered in 1905 – it means ‘laurel crown’. The year-round Otegura brewery was first built in 1961. Gekkeikan also a brewery in California and this started in 1989. Gekkeikan ranks within top 10 (around 5th?) in total production amongst Japanese sake breweries, but it is one of 4 breweries permitted to supply sake to the Imperial Family – the others are Sakuramasamune, Kikumasamune and Nihonsakari. Gekkeikan was also responsible for the development of Yeast No. 2 registered with the Brewers’ Association of Japan. (Sakuramasamune contributed Yeast No.1). We needed some statistics to get a better grasp of the size of Gekkeikan – imagine this, 20,000 kilograms of rice being steamed every day, 365 days a year! Each kilo of rice would typically produce 1 litre of sake! Here, 60 people work full-time in the brewery, and 100 people in the bottling/labeling department. Automation is used as much as possible to increase productivity and efficiency. For example, the soaking, draining, steaming and cooling down of rice (a process which we later saw to take place in the early hours of the morning in a smaller brewery) would be computer controlled so that the workers all work from 8 am to 5 pm, one shift only. A mad dash back to the hotel after lunch to collect our suitcases – we just about caught the Shinkansen to Himeji, before the local train to our next stop, a little town called Aboshi, in the Hyogo prefecture, where we stayed in a charming seaside hotel called Hotel Seashore Mitsumisaki in Tatsuno – literally by the sea. We arrived just in time to admire the most beautiful sunset.




Local oyster and fish roe in wasabi sauce
 The hotel seems to be a popular location for wedding ceremonies and banquets. The proximity to the sea also meant that we had good access to some local produce – the oyster in the menu came from local waters! This evening we had a very sumptuous meal, all dishes paired with the sakes of Honda Shoten brewery (Brand Name Tatsuriki). Honda Shoten, now run by the 4th generation member of the Honda family, is a smaller scale brewery, employing 30 people. A couple of the sakes were served in white wine glasses and they tasted distinctly differently in smaller sake cups. We asked Honda-san what we should look for in a top quality sake. To which he succinctly replied, “the best sake should be like water: pure, elegant and understated”.

The sakes we tried from Honda Shoten
Day 3: Sake Making Day! We were off to a most brutal early morning start at 4 am when we were loaded into a taxi which took us and our suitcases to Aboshi where Honda Shoten Brewery is located. The crisp early morning air immediately dispelled any lingering thoughts of the nice warm bed we left behind at Hotel Seashore. The cold was particularly felt through the soles of the rubber wellingtons we wore……had we known, we would have put a couple of those wonderful heat pads inside the boots! The first person who greeted us was the Chairman, Senior Honda-san (the uncle of the current President)! Park-san (General Manager) and Yumi-san (Export Manager) were also there to greet us. It was a most educational day, from steaming rice at 6 am, to cooling rice, working in the koji room, transporting the rice to the moromi tanks, and visiting the shubo rooms, rice washing and soaking. We experienced huge temperature differences – someone said it later that it was like going from Alaska to Hawaii in one second! We had firsthand evidence that the amino acids (from the breaking down of protein) in the outer layer of rice was wonderful for the skin – our hands felt really smooth and hydrated after working with the rice for a while. Natural moisturizer! No wonder the koji master has such soft and supple looking skin!

After lunch, we went to watch how rice was washed and soaked, supervised by the toji master. The toji master here was the youngest ever in Japan to qualify as a toji master at the age of 27! He is now 37 (but to most of us, he looked about 17!) Everything worked like clockwork with extreme precision. As we finished slightly ahead of time, we were treated to something rather special at Honda-san’s home – a matcha ceremony. We felt really privileged to be sitting down at his family ceremony hall, served matcha by his wife. We were taught how to make the matcha frothy and how to turn the bowl before sipping the tea. A very elegant tradition! At 4:30 pm, we headed to the rice polishing machine area where we had our Kampai Celebration to celebrate the end of a long and hard day of sake making! Once again we tried different sakes and this time, we tried 4 Namagenshu, made with different rice: Yamada Nishiki (the best), Yamada-ho (the mother of Yamada Nishiki), Omachi (the father) and Shinriki (the oldest). It was fascinating to try them side by side. For me, Shinriki demonstrated a very distinct citrus and floral note, with a lighter texture, whereas Yamada Nishiki was much more pear, banana, with mineral notes, with a fuller body. Omachi contributed the weight and body to Yamada Nishiki’s DNA and Yamada-Ho the perfumed bouquet. We also had the Daiginjo served warm and this went very well with the egg omlette! Despite the language barrier, we were all able to share in Honda-san’s passion for sake and appreciate his hospitality and friendliness! As we were leaving, a group of 60 arrived for more sake tasting at 6 pm! My favourite sake from this brewery is the special edition Junmai Daiginjo Nihon no Sakura (definitely worth getting a bottle if you can find it!), followed by the Junmai Daiginjo Akitsu.

It was a huge relief when we finally checked into the hotel at Kobe! For me, it was lights out!

Day 4: A slightly later start in the morning on our last day of the course…..today we are visiting breweries in the Nada region of Kobe. Nada means seashore and there are 5 districts in Nada (Nada Go Go). Nada is famous for sake making because of its location close to the sea, allowing access to ships to transport sake to imperial capital of Edo, as well as the access to Miya Mizu (the local spring water from Nishinomiya City which is hard and rich in minerals such as potassium, calcium and phosphorus, with a little iron content), abundant supply of rice and the cold winds that blow through the Rokka Mountains, thus lowering temperatures for sake making and suppressing the growth of bacteria.

Our first visit started at 10:30 am at the largest brewery in Japan – Hakutsuru (www.hakutsuru.co.jp). Hakutsuru started in 1743. Production here is around 60 million bottles (1.8 litre) (?). Being the largest, Hakutsuru has invested much into research and development. In 2004, it started developing a new type of rice called Hakutsuru Nishiki which was officially registered in 2007. Hakutsuru has also developed its own cosmetic product line, using by-products of sake making. The moisturizer is particularly popular!

Next we visited Sakuramasamune (since 1625). Despite being the largest before the Kobe earthquake in 1995, it suffered a lot of damage and has done a lot less than its counterparts to revive and regenerate its business since this disaster. As a result, there is a deep sense of tradition here. Production has dropped significantly.

Our final visit was Kobe Shushinkan (www.shushinkan.co.jp) (Brand Name is Fukuju), which dated from 1751. Despite not being a big brewery – production about 15,000 koku (15,000 x 0.18 kilo litre = 1.5 million bottles (1.8 litre)), it seems to have done rather well in marketing – it has won prizes in International Sake Challenges and was even served at the Nobel Prize Awards Dinner in 2010. The brewery has even sold out of the sake that won a gold medal in the International Sake Challenge! We took full advantage of our last chance to shop and just about made it to the train!


View from hotel room in Tokyo!
 The evening concluded in Tokyo with a very stylish celebration dinner, specially catered for us, complete with a whole range of different sakes to sample. This concluded our Sake Sommelier Course. We were very lucky with the weather during the 4 days – most days were clear and we even had a brief brush with snow flakes in Kyoto.  In fact the sunny weather was still there on the day I left and from the plane, I got this perfect view of Mount Fuji!


This was the first ever course of this kind organized by the Sake Sommelier Association and I hope this will be the first of many to come so that other keen sake lovers will be able to gain this valuable firsthand experience to learn about sake making directly from toji masters and try it with different food types, using different glassware.  I highly recommend!

Kampai!

Sunday, 17 February 2013

A Dinner with Les Amoureuses from Chambolle!


The 10 bottles of Chambolle-Musigny Les Amoureuses
16 Feb 2013: Regardless of the real origin of the name of this climat, we couldn't all help falling for the romantic ring to the name of Chambolle-Musigny Les Amoureuses.  Our Les Amoureuses dinner took place 2 days after Valentine's Day!  We chose to do this at a private kitchen called Gong Guan, so that we could be left in peace to taste the wines in any order we felt like.  The food at Gong Guan was usually quite decent, in particular the appetisers of Chinese yellow marrow, cucumbers, eggplants and bean curd, the Chinese mushroom infused chicken broth, the steamed fish wrapped with rice flour and string mushrooms, the very tasty signature salt-baked chicken and the stir-fried organic red rice dish (we were all less keen on the over-powering braised pork belly dish which tasted too sweet, sour and spirity from the hua diao used in the cooking).  The only disadvantage was the lack of proper glassware. Robin very kindly sourced some from his friend's wine shop around the corner.  Next time, I should remember to qualify the term 'BYO' as bringing your own wine and glass(es)!  My tasting notes on the wines:

All Chambolle-Musigny Les Amoureuses:

2010 Maison Roche de Bellene: Pale ruby.  A lovely perfume of raspberry, redcurrant, with some spice. Palate showed a much more delicate frame and structure, slightly lacking in complexity, concentration and depth.  A pretty wine, with nice fruit purity, freshness and balance.  Not sure if further bottle age will add some weight and complexity to this wine. Not at all a crime to drink now!  Drink till 2020+.  16.5/20

2009 Groffier: A rather reduced nose that took a few minutes to blow off.  Already showing a nicely evolved complex bouquet of raspberry and spicy cinnamon notes, layered with earthy, savoury, mocha and mushroom nuances. Lively acidity and fine-grained tannin giving this a medium-sized frame.   An elegant Amoureuses that delivers finesse and complexity, if a little short on depth and finish, that seems to have avoided the over-ripeness of the vintage.  Quite classy. Again, given the degree of evolution this bottle is showing, can definitely be enjoyed now, but will probably benefit from a couple more years in bottle.  17/20

2009 François Bertheau: Much deeper in colour than the Groffier.  A more intense and riper nose of blackberry, blueberry, plum, mocha and cinnamon spice. The mid-palate took a bit of aeration to come into shape. More opulent in body and velvety in texture, with broader, riper and better integrated tannin than the Groffier. Perhaps less 'classic' in style than the other wines of the evening, but certainly a very well-made wine with the material to age for a decade plus.  17.5/20

2007 Roumier: A more subtle and classic nose here, almost aristocratic.  Floral, red fruit, earthy and spicy.  A cool and firm structure that needs time to develop. Restrained, but stylish, with a minerality that coats the palate. There is finesse and detail, but without the weight or concentration at this point. Finishes long.  17.5+/20       
2004 Moine-Hudelot: Compared to the others, much looser in the structure, but well-balanced, if rather lacking in complexity and concentration. Finishes short. A fully mature wine that perhaps should have been drunk earlier? 15/20

2002 Mugnier: A very expressive nose of plum, red fruit, mocha, chocolate and Asian spices. Harmoniously integrated, giving a lush and velvety texture to the mouthfeel, with palate-coating intense spicy flavours and firm acidity. Finishes extremely long. Really gorgeous wine, that is just perfect to enjoy now and over next 8 - 10 years!  18/20

2000 Groffier: Slight reduction at the beginning that took a litle while to blow off.  A nicely matured bottle of Amoureuses, with a mature bouquet of plum, leather, violet and spice. Very supple on the palate, that delivers complexity and a nice long finish.  Drinking at peak now and over next 5 -6  years!  17.5/20

1999 Mugnier: This is a very classy Amoureuses for me.  A very floral and elegant bouquet, with violet, pot pourri, plum, spicy and toasty vanilla notes.  The palate shows more spice and earthy notes.  I really like the mid-weight frame with backbone of firm but nicely integrated tannin and vibrant acidity.  A very long minerally finish!  This is drinking at peak now, and over next 10+ years.  18.5/20

1998 de Vogüé: A very impressive effort for the vintage.  Very stylish bouquet of toast, smoke, spice, kirsch and plum.  Plenty of concentration and density on the mouth-coating palate. A very precisely made wine, with an understated elegance.  Drinking perfectly  now, and over next 8 - 10 years.  18/20

1997 de Vogüé: A funky farmyardy mature nose.  Structure is rather loose compared to the 1998, but supple on the palate and there is a nice mid-length finish.  Nice, but not too memorable.  Drink now!  17/20
 
There was also a 2002 Drouhin which was sadly corked.  Not bad on the statistics, one cork-tainted bottle out of 10!  Better than another recent dinner, when we had 2 corked bottles and 1 oxidised bottle, out of 9 bottles! 

In our ebullient state towards the end of the evening, we took a poll on the best wines of the evening and the best 3 turned out to be: 2002 Mugnier, 1999 Mugnier and 1998 de Vogüé.

As I am such a slow taster, I think for me an optimum number of people for these tastings should be around 8. I did want to go back to re-taste the Mugniers and they were all gone!  In any case, a very memorable evening and a very educational experience, thanks to everyone's generosity!

Wonderful Verdejo

12 Feb 2013: Manchego, bellota ham, boquerones and salted cod fishcakes.....plus a glass of Verdejo.....perfection!




Having introduced Bert to Ossian, he very kindly sent round a bottle of 2008 Naiades by Bodega Naia for us to try.  Naiades is one of 3 wines produced by Bodega Naia from Rueda and is made from ungrafted old vines of Verdejo, an indigenous grape, planted in the 19th Century.  Oak fermented and matured (approximately 8 months).  Very stylishly packaged (in a hefty bottle) and labelled, and delivered at the moderate alcohol level of 13.5% abv!  Lovely!

Pale lemon. Grapefruit, lime, pineapple, peach, melon, with nuances of spice, herbal, almond and the faintest notes of smoke and toast. Medium bodied.  Bright acidity. Mineral-laden palate.  A brilliantly crafted wine, beautifully balanced, with the lightest touch of oak and showing lovely detail, comparable to a fine Rully from Bourgogne.  Lovely crisp finish.  We loved it!  Drink now and over next 3 - 4 years. 16.5/20

Wednesday, 6 February 2013

La Rioja Alta Dinner

1 Feb 2013: La Rioja Alta, based in Logroño, was the result of post-phylloxera Spain, formed in 1890 when five families of growers got together. From its original holdings in Rioja Alta, they have expanded to own vines in Rias Baixas and Ribera del Duero.  This tasting at Fofo Restaurant (HK) shows that the wines have not only upheld the traditional values, but have also finetuned to modern palates.  Chef Alex did a fine job with the food-wine pairing and came up with some very interesting dishes.

Snapper Ceviche with green peas and beetroot ice-cream
Snapper ceviche, green peas, confit piquillos, roast nuts and beetroot ice-cream
2011 Albariño, Lagar de Cervera


Salt Cod with wild mushrooms and red pepper puree
 Cod fish with wild mushrooms, piquillo pepper purée
2004 Viña Arana Reserva, La Rioja Alta
2004 Viña Ardanza Reserva, La Rioja Alta

Iberico pork cheek, 'mojo picon' potato and chili cream with vegetable garden
2000 Gran Reserva 904, La Rioja Alta
1998 Gran Reserva 904, La Rioja Ala

Pigeon, foie and morel rice
1995 Gran Reserva 890, La Rioja Alta

My brief tasting notes as follows:
2011 Albariño, Lagar de Cervera
Lemon-straw colour.  Fresh tropical and citrus notes of grapefruit, lime, pineapple and peach, with some herbal nuances on the palate.  Medium body, with a refreshingly zingy finish.  Pairs very well with the refreshing snapper ceviche and beetroot ice cream! 16.5/20

2004 Viña Arana Reserva, La Rioja Alta
95% Tempranillo; 5% Mazuelo.  Aged for 36 months in 3-year-old American oak casks.  Deep ruby.  An intense and overt bouquet of black cherry, forest berries, violet, coconut, vanilla and some notes of cinnamon.  Velvety texture of integrated ripe tannin, fleshy with juicy fruit and the freshness of the vintage.  Finishes long.  Very approachable now and perfect for pairing with food.  This was interesting paired with salted cod with red pepper purée - the salt brought out the fruit and made the integrated tannin and acidity even more mellow.  16/20

2004 Viña Ardanza Reserva, La Rioja Alta
80% Tempranillo; 20% Garnacha (from old vines in Rioja Baja). Tempranillo aged for 36 months and Garnacha around 30 months in seasoned American oak.There is more of the old world character and elegance here, combined with a fine structure of firm but well integrated tannin and a good level of acidity.  A graceful bouquet of black cherry, blackcurrant, cloves, chocolate, with nuances of incense, gaining in intensity and weight with some aeration.   The ripeness and richness of the fruit is well carried by the firm structure and elegant freshness.  Would go well with roasted or grilled meat, or even game (would have gone well with the pigeon and morel rice too!). 16.5-17/20

2000 Gran Reserva 904, La Rioja Alta
90% Tempranillo; 10% Graciano. Aged for 4 years in seasoned oak.  Lightly filtered before bottling.Compared to the 1998, this was much more accessible and a very good match with food.  A very Rioja bouquet of raspberry, strawberry, plum, white pepper, cedar, leather, with spicy and earthy notes.    A beautifully balanced wine, with a supple mouthfeel and refreshing acidity.  The middle palate took a bit of aeration to round out.  Drinking perfectly now and can continue to age for a long time.  17.5/20

1998 Gran Reserva 904, La Rioja Alta
90% Tempranillo; 10% Graciano. Aged for 4 years in seasoned oak.  Gently filtered before bottling.A more evolved nose of violet, cloves, nutmeg, milk chocolate, mocha, leather, with nuances of coconut and vanilla. Harmoniously balanced, but less generous mouthfeel than the 2000 vintage.   More subtle in complexity and length.  Drinking well now and will continue to age well.  17/20

1995 Gran Reserva 890, La Rioja Alta
96% Tempranillo; 3% Graciano; 1 % Mazuelo. Aged for 6 years in casks.  No filtration before bottling.Flagship wine of the estate.  This is embodiment of the class and essence of traditional style Rioja.   An unmistakable bouquet , intense and complex, plenty happening: black cherry, forest berries, cloves, nutmeg, leather, mocha, incense, sage, chocolate, game, with a savoury note on the palate.  A very supple entry followed by a luscious mouthfeel and explosively intense flavours, with just perfectly balancing acidity.  Finishes long and complex.  Still rather youthful given the time it has spent in oak.  A great Rioja for long term cellaring - 15+ years.  The savoury, gamey flavours paired rather well with the umami-loaded pigeon, foie and morel rice. 18+/20    

Saturday, 2 February 2013

A Pommard Dinner

I guess this is a somewhat unusual theme for a Bourgogne wine dinner - Pommard. I have always admired the wines of Pommard (even though it's not everyone's favourite these days and there is an image problem associated with it) and I was so happy to be joined by 7 other Pommard fans. One of us brought a Corton Blanc by Parent, also another Pommard producer.  We were very looked after by owner of La Fleur restaurant, Wan Chai, Hong Kong.
2009 Corton Blanc, Parent
Lemon core, with some golden reflections. An intense nose of pineapple, acacia, liquorice, hazelnuts and vanilla, with the oak element still not quite integrated. Full-bodied, luscious mouthfeel, lots of rich extract, balanced by firm acidity. Finishes long. Slightly austere at this stage, will benefit from 3 - 4 years of bottle age for the oak to fully integrate. 17/20

First Flight
2005 Pommard, Louis Jadot
A medium ruby core. Bright red fruit of cherry, raspberry, laced with some spicy notes. Light bodied, fine tannin, and refreshing. 15/20

Second Flight
This flight is a vertical of 3 vintages of Comte Armand's Clos des Epeneaux. The monopole of Clos des Epeneaux is 0.61 ha in Les Grands Epenots (1/9) and 4.62 ha in Les Petits Epenots (8/9), with the monopole accounting for half the vineyard area owned by the domaine. The wall around the vineyard was established in 1805 and the enclosed vineyard was a gift from Nicolas Marey to his daughter when she married Comte Armand. The Epenots are situated at the northern end of Pommard (the Beaune end), with some areas of more shallow topsoil, say 20 cm, and other areas with deeper topsoil, as much as 80 cm. The 1990 vintage was made by French-Canadian Pascal Marchand, who left the domaine in 1999, hence the next 2 vintages were made by his young successor Benjamin Leroux. Pascal started to adopt organic farming principles in 1992 and when Benjamin Leroux took over, one of the first things he did was to move the vineyard management to biodynamic principles.

1990 Pommard Clos des Epeneaux, Comte Armand
Deep ruby. A very intense bouquet of black fruit, almost stewed, compounded with some floral, earthy, animal and liquorice notes, almost like a Barolo, as some of us commented on. A big and brooding wine, broad-structured, rather hefty, lacking in charm, with firm and still astringent tannin. High acidity. It is not clear whether the fruit will last as long as it takes for the tannin to soften. Jury is still out, I guess. I would probably drink this now, accompanied by a meaty dish, grilled steak and venison, for example. 16/20

2002 Pommard Clos des Epeneaux, Comte Armand
A classy show of Pommard 1er Cru that has just reached its apogee and will hold well for many years too come. A gorgeous nose of floral, ripe black cherry, with some sappy notes. Beautifully integrated, with a very fine backbone of silky tannin and vibrant acidity, giving an elegantly mouthcoating texture. Totally harmonious now, with plenty of finesse and floral character, richly complex, but without the meatiness nor heftiness of the 1990 vintage, and finishes extremely long. The most complete wine in this flight of 3 Comte Armand's Clos des Epeneaux. Drink now and over next 10 - 15 years. 18/20

2007 Pommard Clos des Epeneaux, Comte Armand
Already showing some tertiary evolution, showing raspberry, earth, game, herbal and even medicinal notes. An elegant and lithe Pommard, displaying Pommard characteristics, but well framed with fine tannin and refreshing acidity, giving a very supple texture with a good level of concentration and depth. Drinking very well now, and over next 8 - 10 years. 17/20

Third Flight
The third flight consists rather of 3 wines that are a bit more diverse, from 2001 to 2008, by different winemakers.
2002 Pommard 1er Cru, Maison Leroy
A medium ruby core. Lovely aromatics of redcurrant, raspberry and floral. Fine tannin, but acidity seems rather poignant at this tasting. Drying finish. 15.5/20
2001 Pommard Les Rugiens-Bas, Michel Gaunoux
The best representation of what a modern day classic of Pommard would be like. This captures the essence of what I love about Pommard: aromatics of animal, game, ripe red fruit, earth and spice; with a robust but finely toned structure of firm but refined tannin, vibrant acidity, and distinct minerality, complete with balance, precision, and harmony. Totally irresistibly silky in texture, marvellously elegant and delineated with very fine detail, perfectly balanced, and finishes exceptionally long. This is drinking perfectly now, and will continue to do so for another 15+ years. 18.5/20

Les Rugiens-Bas, the better part of the Rugiens vineyard, which lies at the southern end of Pommard (the Volnay end). Here the iron in the soil has been oxidised, giving a red colour, hence the name Rugiens.

2008 Pommard Grand Clos des Epenots, de Courcel
A very aromatic nose, followed by a supple attack on the palate, slowly revealing a robust texture of firm chewy tannin and concentrated and ripe phenolic extract. A hefty wine and a promising one in the making, needs probably another 5 - 6 years before it comes together. Finishes long, with a sappy note at the moment. Suspect this will fall away with more bottle age. 18/20

The Grand Clos des Epenots is situated inside Les Petits Epenots. Gilles de Courcel is head of the domaine, but his full-time job stays with the management of Maison Chanson. Yves Confuron from Vosne Romanée has been the winemaker here since 1996. Today, the vines are farmed biodynamically. Here the domaine practices low yields, late harvest, whole cluster vinification and long élevage (16 - 18 months roughly). I should also mention that Domaine de Courcel are relatives of Domaine Lejeune, which is another favourite of mine......well-structured and ageworthy Pommards, without losing their elegance and finesse.  Check out their Rugiens and Argillières here! 

Fourth Flight
This is the 'oldies' flight.....

1978 Pommard Les Rugiens, François Gaunoux
The garnet colour belies the amazing energy still possessed by this gorgeous wine. A very fine and mature bouquet of dried rose petals, leather, game, mocha, leather and sous-bois. There is beautiful minerality still on the palate, framed by very silky tannin, and lovely acidity. This is a sensational wine displaying vibrant energy (at this age), wonderful mature Bourgogne complexity, with all the Pommard characteristics in full flow! Finishes so long, with a hint of the familiar caramel-like sweetness for mature wines on the finish. Drink now and over next 8 - 10 years. 19/20

1959 Pommard, Marquis d'Angerville
This is probably the biggest surprise this evening. A village Pommard at 53 years old. Strictly speaking, it probably saw better days about 10 years ago and has begun its gradual decline. A lovely medium garnet. A note of volatility has crept into the complex bouquet of red fruit, floral, spicy, leather, savoury and earthy and coffee. A very elegant presentation, though lacking the weight, depth or the complexity of the premiers crus in this tasting. Nevertheless, it still had all of us marvelling at its silky texture, timeless elegance and ageability. Very admirable! 17.5/20

What a very educational tasting!  Alan organised the food so well that we had plenty of time to taste the wines and discuss with each other.  All the wines demonstrated a trueness to Pommard characteristics, together with ageworthiness as well as the finesse and elegance that often eluded the wider audience of Bourgogne lovers.  These are great quality wines, and relatively more affordable than their counterparts in Côte de Nuits!  I love them!